2.52 King Arthur, Antonio Stradivari & KARB
Did you know author Geoffrey of Monmouth wrote a book around 1136 called the Historia Regum Britanniae (The History of the Kings of Britain)?
Never fear if you’ve never heard of this title before – unless you’re keen on exploring the profusion of stories surrounding the legend of King Arthur – you’re unlikely to have run across it. Especially since Thomas Malory’s later work (around 349 years later), Le Morte d’Arthur eclipsed Geoffrey’s tome by several orders of magnitude. In any case, the Historia Regum Britanniae’s biggest claim to literary fame is the fact most scholars consider it to be the first narrative and (on the whole) fictional account of King Arthur’s life.
Beatrice and I unsurprisingly, are both aware of this kernel of information. (Thus illustrating why the Fates smiled the day we met. She studied the metamorphosis of the Arthurian legend as an undergrad in college. While Librarian Extraordinaire Mrs. Schmidt introduced me to the Round Table and it’s King – after I’d polished off every Robin Hood related story the stacks of the Rye Public Library had to offer. But I digress…)
Due to Beatrice’s familiarity with said tome, her ears perked up when she heard the name Monmouth uttered on the radio. Regrettably, she tuned right back out when KARB’s newsreader failed to mention either King Arthur or Geoffrey in the story. Last night this scrap of information turned more maddening than a musical ear-worm, as Beatrice tried to recall it after catching sight of a mind-map I was constructing on her computer. (I’d created the aforementioned mind-map to tease out a coherent pattern from all of our assembled notes, deductions, and facts.)
The branch which caught Beatrice’s eye dealt with the Board of Managers, more specifically Nevermore’s Head of Legal, Nathaniel Monmouth.
I can ascribe this brilliant bit of deduction to the six minutes and twenty-seven seconds Beatrice spent pacing the length of her office while softly repeating Nathaniel’s surname over and over again to herself. Her spot-on imitation of a broken record stopped as suddenly as it started – whereupon I found myself, and the chair I was sitting on, shoved/rolled away from the computer’s keyboard.
Tapping quickly, Beatrice soon brought up a bite-sized blurb archived on KARB’s website.
She then did a small fist pump in triumph.
I couldn’t believe it – of all the news for Nathaniel to keep mum about.
For weeks, Nathaniel crowed about Klara’s successful promotion/challenge from eleventh to tenth chair in the second violin section, yet he stays silent about this prestigious grant? According to the article’s date, we worked together for roughly two months prior to my pink slip, and not once did he breathe the word Stradivarius around me.
Nudging Beatrice aside, I pulled up Klara Monmouth’s bio on the Rye Symphony homepage. Said bio included both a new photo of Klara sitting in full concert dress with Stradivarius resting on her knee and a link to the Goodfellow Music Conservatory.
Clicking the helpfully provided link, I scrolled down Goodfellow’s main page until a familiar face stopped me cold. Turns out Goodfellow’s Chief Librarian is one of the sniggering sycophants who help Josie steal Summer’s brownie back in middle school – Thomi Margaziotis.
(Now back to Friday night.)
“So you think Josie bribed Nathaniel to look the other way about Little Ben’s presence on the Board, by arranging a once in a lifetime opportunity for his wife?” Stopping midway through the stack of rebranding propaganda I’d liberated from Little Ben’s office, my cousin tilted his head and goggled at me.
“Cultivating quid pro quo arrangements is something Josie learned at her father’s knee.”
Beatrice, seeing I’d just taken a healthy slug of coffee, expanded on our theory. “It’s brilliant because tracing favors between friends is troublesome at best.”
The situation doesn’t start smelling fishy until you start digging into Library’s endowment history.
The majority of instruments, unsurprisingly, go to current students studying at the Conservatory. The few instruments straying outside those hallowed halls, nine times out of ten, find themselves in the hands of alumni. The rare non-alum loans typically go to musicians completing specific projects – like the group creating a soundbank of every known Stradivari violin, viola, cello, mandolin, and harp in the world.
“I’m guessing Klara doesn’t fall within any of those groups?”
Sensing Robbie had a few follow-up questions to Beatrice’s one-word reply – I cut in. “Between her Linked-in profile, symphony bio, and wealth of social media posts – we couldn’t find anything approaching the Conservatory’s customary lending profile.”
Ira, having finished his third colorful tiny cake, rested his forearms on the table and laced his fingers together. “Phoebe, I agree there’s a lot of coincidence at play here, but do you really believe Sarah and Nathaniel are working to the detriment of Nevermore with Josie Reville? I just can’t see Sarah being that calculating.”
Resisting the urge to close my eyes and take a deep breath, to try and dissipate the lead encrusting my stomach, I met Ira’s gaze instead. “If you’re willing, we might even be able to confirm my theory.”
That got everyone’s attention.
“What did you have in mind?”
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